The distribution and transport of water in oil paintings: A numerical moisture diffusion model

Jorien R. Duivenvoorden (Corresponding author), Rick P. Kramer, Margriet H. van Eikema Hommes, Piet D. Iedema, Joen J. Hermans, Katrien Keune

Onderzoeksoutput: Bijdrage aan tijdschriftTijdschriftartikelAcademicpeer review

2 Citaten (Scopus)
62 Downloads (Pure)

Samenvatting

Oil paintings are complex, multi-layered systems that are prone to chemical degradation. While it is increasingly recognised that water plays an important role in these degradation reactions, little is known about moisture concentrations in oil paint systems and their temporal variation in response to fluctuating ambient air humidity. This knowledge is necessary to further preventive conservation, specifically to establish optimal environmental conditions to safeguard works of art for future generations. We developed a transient one-dimensional moisture transport model based on Fickian diffusion enabling the integration of experimentally recorded relative humidity data. Moisture sorption and transport data for painting materials have been reviewed from literature showing that each component of a painting has rather distinct properties. Including the properties of the individual layers enabled predicting the behaviour of a multi-layered painting system. A sensitivity study indicated that the response of a multilayer is determined by the combination of diffusion coefficients, isotherm shapes, maximum water contents, layer thicknesses, period of RH fluctuation and stacking order of the layers. Finally, the model was employed to investigate a case study of 18th-century painted wall hangings in a historic house to illustrate the insights that can be gained from this approach and the types of conservation-related questions that can be answered.
Originele taal-2Engels
Artikelnummer123682
Aantal pagina's12
TijdschriftInternational Journal of Heat and Mass Transfer
Volume202
DOI's
StatusGepubliceerd - 1 mrt. 2023

Financiering

This research was kindly supported by Bennink Foundation/Rijksmuseum Fonds. JH is supported by The Netherlands Organization for Scientific Research (NWO) under project number 016.Veni.192.052. The investigations in the Hofkeshuis were performed as part of the NWO Incentives Scheme Vidi project From Isolation to Coherence: an Integrated Technical, Visual and Historical Study of 17th and 18th Century Dutch Painting Ensembles (2012–2018), led by Margriet van Eikema Hommes. The authors would like to thank the residents of the Hofkeshuis for their cooperation during the investigations and the environmental monitoring campaign. This research was kindly supported by Bennink Foundation / Rijksmuseum Fonds . JH is supported by The Netherlands Organization for Scientific Research (NWO) under project number 016.Veni.192.052 . The investigations in the Hofkeshuis were performed as part of the NWO Incentives Scheme Vidi project From Isolation to Coherence: an Integrated Technical, Visual and Historical Study of 17th and 18th Century Dutch Painting Ensembles (2012–2018), led by Margriet van Eikema Hommes. The authors would like to thank the residents of the Hofkeshuis for their cooperation during the investigations and the environmental monitoring campaign.

FinanciersFinanciernummer
Bennink Foundation
Bennink Foundation/Rijksmuseum Fonds
Rijksmuseum Fonds
Nederlandse Organisatie voor Wetenschappelijk Onderzoek016

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