Stage acoustics: experiments on 7 stages of concert halls in the Netherlands

L.C.J. Luxemburg, van; P.H. Heijnen; M. Kivits; C.C.J.M. Hak

Stage acoustics: experiments on 7 stages of concert halls in the Netherlands

L.C.J. Luxemburg, van, P.H. Heijnen, M. Kivits, C.C.J.M. Hak

Onderzoeksoutput: Hoofdstuk in Boek/Rapport/Congresprocedure › Conferentiebijdrage › Academic › peer review

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As presented at Acoustics’08 Paris, the need for an objective parameter proved to be necessary being able to optimize stage conditions (canopy position) for musicians as well as for the conductor. To be able to further develop and validate such an objective parameter measurements have been carried out on 7 stages of concert halls in the Netherlands within the framework of the Dutch Students Orchestra tour visiting these halls. In addition to the measurements the orchestra as well as the conductor filled in a questionnaire after each concert. So with these results we were able to check the correlation between the objective measured parameters and the musicians and the conductors subjective experience. In this paper the new parameters merit in relation to the subjective response of musicians to stage acoustics is elucidated.

Originele taal-2	Engels
Titel	Proceedings of Internoise 2009 Ottawa, Canada
Status	Gepubliceerd - 2009
Evenement	38th International Congress on Noise Control Engineering (Inter-noise 2009) - Ottawa, Canada Duur: 23 aug. 2009 → 26 aug. 2009 Congresnummer: 38

Congres

Congres	38th International Congress on Noise Control Engineering (Inter-noise 2009)
Verkorte titel	Inter-Noise 2009
Land/Regio	Canada
Stad	Ottawa
Periode	23/08/09 → 26/08/09
Ander	Internoise 2009 Ottawa, Canada

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title = "Stage acoustics: experiments on 7 stages of concert halls in the Netherlands",

abstract = "As presented at Acoustics{\textquoteright}08 Paris, the need for an objective parameter proved to be necessary being able to optimize stage conditions (canopy position) for musicians as well as for the conductor. To be able to further develop and validate such an objective parameter measurements have been carried out on 7 stages of concert halls in the Netherlands within the framework of the Dutch Students Orchestra tour visiting these halls. In addition to the measurements the orchestra as well as the conductor filled in a questionnaire after each concert. So with these results we were able to check the correlation between the objective measured parameters and the musicians and the conductors subjective experience. In this paper the new parameters merit in relation to the subjective response of musicians to stage acoustics is elucidated.",

author = "{Luxemburg, van}, L.C.J. and P.H. Heijnen and M. Kivits and C.C.J.M. Hak",

year = "2009",

language = "English",

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note = "38th International Congress on Noise Control Engineering (Inter-noise 2009), Inter-Noise 2009 ; Conference date: 23-08-2009 Through 26-08-2009",

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T1 - Stage acoustics: experiments on 7 stages of concert halls in the Netherlands

AU - Luxemburg, van, L.C.J.

AU - Heijnen, P.H.

AU - Kivits, M.

AU - Hak, C.C.J.M.

N1 - Conference code: 38

PY - 2009

Y1 - 2009

N2 - As presented at Acoustics’08 Paris, the need for an objective parameter proved to be necessary being able to optimize stage conditions (canopy position) for musicians as well as for the conductor. To be able to further develop and validate such an objective parameter measurements have been carried out on 7 stages of concert halls in the Netherlands within the framework of the Dutch Students Orchestra tour visiting these halls. In addition to the measurements the orchestra as well as the conductor filled in a questionnaire after each concert. So with these results we were able to check the correlation between the objective measured parameters and the musicians and the conductors subjective experience. In this paper the new parameters merit in relation to the subjective response of musicians to stage acoustics is elucidated.

AB - As presented at Acoustics’08 Paris, the need for an objective parameter proved to be necessary being able to optimize stage conditions (canopy position) for musicians as well as for the conductor. To be able to further develop and validate such an objective parameter measurements have been carried out on 7 stages of concert halls in the Netherlands within the framework of the Dutch Students Orchestra tour visiting these halls. In addition to the measurements the orchestra as well as the conductor filled in a questionnaire after each concert. So with these results we were able to check the correlation between the objective measured parameters and the musicians and the conductors subjective experience. In this paper the new parameters merit in relation to the subjective response of musicians to stage acoustics is elucidated.

M3 - Conference contribution

BT - Proceedings of Internoise 2009 Ottawa, Canada

T2 - 38th International Congress on Noise Control Engineering (Inter-noise 2009)

Y2 - 23 August 2009 through 26 August 2009

ER -

Stage acoustics: experiments on 7 stages of concert halls in the Netherlands

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