• 119 Citaten
19992019
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Persoonlijk profiel

Quote

“By actively imagining the future, we may be able to practice at it and develop not only ideas and projects but critical cultural responses to the new and the unknown.”

Research profile

Kristina Andersen is assistant professor at the Future Everyday cluster of the Department of Industrial Design. Her work is concerned with how we can allow each other to imagine our possible technological futures through digital craftsmanship and collaborations with semi intelligent machines in the context of material practices of soft fiber-based things. How can we innovate, design and act around that which is yet to be imagined? Who gets to drive innovation processes? And how can we reframe our methodologies to include the complex cultural, political, and personal aspects of life? Can we approach this through making (and thinking) about technology, communities and materials as a way to construct visions of the unknown?

Andersen was based at STEIM for 14 years, she was part of the Making Things Public art research program at the Gerrit Rietveld Academie and lead the Instruments and Interfaces master’s degree program at the Royal Conservatoire in The Hague. She is a longstanding advisor of the Stimuleringsfonds Creatieve Industrie, and currently acts as expert reviewer for H2020, ICT and FET for both application and project reviews. Andersen co-chaired the CHI art 2018, CHI Design paper track 2019 and 2020, and DIS pictorials 2019.

Academic background

Kristina Andersen obtained her PhD from KTH Royal Institute of Technology in Stockholm, her MSc degree in Virtual Environments from University College London, and her Candidature (MA) from the Royal Danish Academy of Fine Art, Department of Industrial Design in Copenhagen. She has collaborated widely with national and international research institutes, cultural organizations and industry as researcher, engineer, lecturer and mentor. Andersen was initiator, principal researcher and work package leader on GiantSteps - a collaboration between music research institutions, manufacturers of software and hardware for music production and performance, R&D companies and music practitioners funded by the European Union. She has taught widely and ran the combined MA between STEIM and Sonology from 2011-17.  

Affiliated with

  • Gerrit Rietveld Academie
  • Institute of Sonology, Royal Conservatoire in The Hague
  • Stimuleringsfonds Creatieve Industrie

Partners in (semi-)industry

  • STEIM

Vingerafdruk Duik in de onderzoeksthema's waar H.K.G. (Kristina) Andersen actief is. Deze onderwerplabels komen voort uit het werk van deze persoon. Samen vormen ze een unieke vingerafdruk.

Computer music Engineering en materiaalwetenschappen
Recommender systems Engineering en materiaalwetenschappen
Acoustic waves Engineering en materiaalwetenschappen
Information retrieval Engineering en materiaalwetenschappen
Mockups Engineering en materiaalwetenschappen
Human computer interaction Engineering en materiaalwetenschappen
Interfaces (computer) Engineering en materiaalwetenschappen
User interfaces Engineering en materiaalwetenschappen

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Onderzoeksoutput 1999 2019

2 Citaties (Scopus)

The instrument as the source of new in new music

Andersen, K. & Gibson, D., jan 2017, In : Design Issues. 33, 3, blz. 37-55

Onderzoeksoutput: Bijdrage aan tijdschriftTijdschriftartikelAcademicpeer review

Open Access
Bestand
6 Citaties (Scopus)

The hands : the making of a digital musical instrument

Torre, G., Andersen, K. & Baldé, F., jun 2016, In : Computer Music Journal. 40, 2, blz. 22-34 13 blz.

Onderzoeksoutput: Bijdrage aan tijdschriftTijdschriftartikelAcademicpeer review

Musical Instruments
Music
Documentation
Performer
Interviewing

Making speculative technologies

Andersen, H. K. G., 2016, Intersecting Art and Technology in Practice: Techne/Technique/Technology. Baker, C. C. & Sicchio, K. (redactie). Taylor and Francis Ltd., blz. 42-48 (Intersecting Art and Technology in Practice: Techne/Technique/Technology)

Onderzoeksoutput: Hoofdstuk in Boek/Rapport/CongresprocedureHoofdstukAcademicpeer review

know how
abuse
time
1 Citaat (Scopus)

Instrumentality, time and perseverance

Torre, G. & Andersen, H. K. G., 1 jan 2016, Musical Instruments in the 21st Century: Identities, Configurations, Practices. Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S. (redactie). Singapore: Springer, blz. 127-136 10 blz. (Musical Instruments in the 21st Century: Identities, Configurations, Practices)

Onderzoeksoutput: Hoofdstuk in Boek/Rapport/CongresprocedureHoofdstukAcademicpeer review

Instrumentality
Musical Instruments
Artist
Pioneers
Subjectification
45 Citaties (Scopus)

Anti-solutionist strategies : seriously silly design fiction

Blythe, M., Andersen, H. K. G., Clarke, R. & Wright, P., 2016, Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems - CHI '16. New York: Association for Computing Machinery, Inc, blz. 4968-4978 11 blz.

Onderzoeksoutput: Hoofdstuk in Boek/Rapport/CongresprocedureConferentiebijdrageAcademicpeer review

planning

Cursussen

Aesthetics of Interaction

1/09/16 → …

Cursus

Design < > Research

1/09/16 → …

Cursus

Digital Craftsmanship

1/09/17 → …

Cursus

Final Master Project (DQI)

1/09/16 → …

Cursus

Scriptie

Life is just a little plastic now: from movement to exhibition

Auteur: Kolk, T., jun 2018

Begeleider: Funk, M. (Afstudeerdocent 1) & Andersen, H. (Afstudeerdocent 2)

Scriptie/masterproef: Bachelor