Abstract
The paper presents an overview of how, at the Institute for Perception Research (IPO), synthesis has played a central part in the experimental-phonetic study of speech melody. This approach has
resulted in a language-independent framework for the description and rule-based synthesis of intonation in different languages.
| Original language | English |
|---|---|
| Pages (from-to) | 61-73 |
| Number of pages | 13 |
| Journal | Journal of Phonetics |
| Volume | 19 |
| Publication status | Published - 1991 |