Abstract
| Language | English |
|---|---|
| Title of host publication | New Directions in Music and Human-Computer Interaction |
| Editors | Simon Holland, Katie Wilkie-McKenna, Andrew McPherson, Marcelo M. Wanderley |
| Place of Publication | Cham |
| Publisher | Springer |
| Chapter | 10 |
| Pages | 155-161 |
| Number of pages | 7 |
| ISBN (Electronic) | 978-3-319-92069-6 |
| ISBN (Print) | 978-3-319-92068-9 |
| DOIs | |
| State | Published - 2019 |
Publication series
| Name | Springer Series on Cultural Computing |
|---|
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Making as research : an interview with Kristina Andersen. / Mudd, Tom; Andersen, Kristina.
New Directions in Music and Human-Computer Interaction. ed. / Simon Holland; Katie Wilkie-McKenna; Andrew McPherson; Marcelo M. Wanderley. Cham : Springer, 2019. p. 155-161 (Springer Series on Cultural Computing).Research output: Chapter in Book/Report/Conference proceeding › Chapter › Academic › peer-review
TY - CHAP
T1 - Making as research
T2 - an interview with Kristina Andersen.
AU - Mudd,Tom
AU - Andersen,Kristina
PY - 2019
Y1 - 2019
N2 - Kristina Andersen designs objects and experiences to explore ideas and notions of the unknown. A central element of her practise is workshop-like experiences that expose everyday desires as drivers for ideas. They employ familiar, mundane materials—such as candy and cardboard—through which several planes collide: the possible, the unknown, the feared and the desired. These processes are aimed at allowing a broad range of knowledge to materialise as interdisciplinary knowledge, which belongs to no one. The outcomes range from requirement engineering, technology prototyping, to the making of work about technology, rather than of technology. She holds degrees in Industrial Design, Virtual Environments, and wrote her Ph.D. on “magic machines”. She was a researcher at STEIM (Studio for Electro-Instrumental Music) in Amsterdam for 15 years, and now works in the Future Everyday group at Industrial Design at TU Eindhoven as well as maintaining her own practice.
AB - Kristina Andersen designs objects and experiences to explore ideas and notions of the unknown. A central element of her practise is workshop-like experiences that expose everyday desires as drivers for ideas. They employ familiar, mundane materials—such as candy and cardboard—through which several planes collide: the possible, the unknown, the feared and the desired. These processes are aimed at allowing a broad range of knowledge to materialise as interdisciplinary knowledge, which belongs to no one. The outcomes range from requirement engineering, technology prototyping, to the making of work about technology, rather than of technology. She holds degrees in Industrial Design, Virtual Environments, and wrote her Ph.D. on “magic machines”. She was a researcher at STEIM (Studio for Electro-Instrumental Music) in Amsterdam for 15 years, and now works in the Future Everyday group at Industrial Design at TU Eindhoven as well as maintaining her own practice.
U2 - 10.1007/978-3-319-92069-6_10
DO - 10.1007/978-3-319-92069-6_10
M3 - Chapter
SN - 978-3-319-92068-9
T3 - Springer Series on Cultural Computing
SP - 155
EP - 161
BT - New Directions in Music and Human-Computer Interaction
PB - Springer
CY - Cham
ER -