Abstract
Notions of what counts as a contribution to HCI continue to be contested as our field expands to accommodate perspectives from the arts and humanities. This paper aims to advance the position of the arts and further contribute to these debates by actively exploring what a "non-contribution" would look like in HCI. We do this by taking inspiration from Fluxus, a collective of artists in the 1950’s and 1960’s who actively challenged and reworked practices of fine arts institutions by producing radically accessible, ephemeral, and modest works of "art-amusement." We use Fluxus to develop three analogous forms of "HCI-amusements," each of which shed light on dominant practices and values within HCI by resisting to fit into its logics.
| Original language | English |
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| Title of host publication | CHI 2019 - Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems |
| Publisher | Association for Computing Machinery, Inc. |
| Number of pages | 12 |
| ISBN (Electronic) | 9781450359702 |
| DOIs | |
| Publication status | Published - 2 May 2019 |
| Event | 37th ACM Annual Conference on Human Factors in Computing Systems, CHI 2019 - Scottish Event Campus, Glasgow, United Kingdom Duration: 4 May 2019 → 9 May 2019 Conference number: 37 https://chi2019.acm.org |
Conference
| Conference | 37th ACM Annual Conference on Human Factors in Computing Systems, CHI 2019 |
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| Abbreviated title | CHI 2019 |
| Country/Territory | United Kingdom |
| City | Glasgow |
| Period | 4/05/19 → 9/05/19 |
| Internet address |
Funding
The authors would like to thank the participants of the Disruptive Improvisation workshop and HP for their generous support of the workshop. This work is supported by the National Science Foundation under Grant Nos: 1755587, 1453329, 1423074, 1523579 and by a NSERC Discovery Grant and a SSHRC Research-Creation Grant.
Keywords
- Contributions
- Design research
- Fluxus
- HCI-amusements