Both audibility and subjective appreciation of dropouts in magnetic recordings of music were estimated in a series of listening experiments in which the most vulnerable situation was simulated: the type of music, the playback conditions as well as the highly discriminating listeners cooperated to yield high annoyance ratings. In this way -worst case- (or True High Fidelity) criteria have been obtained.
|Title of host publication||Audio Engineering Society 35th convention, October 21-24, 1968|
|Number of pages||12|
|Publication status||Published - 1967|
|Event||35th Audio Engineering Society Convention (AES 1968) - New York, United States|
Duration: 21 Oct 1968 → 24 Oct 1968
|Conference||35th Audio Engineering Society Convention (AES 1968)|
|Period||21/10/68 → 24/10/68|