Abstract
Forms, either abstract or concrete always carry meanings. It is the responsibility of designers to make good use of these meanings, for example to make products beautiful, exploiting all the sensorial aesthetic languages, to stress the importance of certain values, or to improve a product’s ease of use to create and facilitate richer experiences. It is important for designers to have access to and a full understanding of the structure of product semantics and the relevant types of knowledge so that they can effectively communicate the intended "design Ideas" or messages though the different aspects of any given "thing". In this article we undertake the construction of a scheme to classify the knowledge needed to respond to the wide variety of phenomena that determine product meanings. One of the central ideas is that different knowledge sorts are needed for understanding objects and for understanding people.
Original language | English |
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Title of host publication | Design and Semantics of Form and Movement (DESFORM 2005) |
Editors | L. Feijs, S. Kyffin, B. Young |
Place of Publication | Eindhoven |
Publisher | Eindhoven University of Technology |
Pages | 70-83 |
Publication status | Published - 2005 |
Event | 1st European Workshop on Design and Semantics of Form and Movement (DeSForM 2005), November 11, 2005, Newcastle upon Tyne, UK - Newcastle upon Tyne, United Kingdom Duration: 11 Nov 2005 → 11 Nov 2005 http://www.semantics.id.tue.nl/ |
Workshop
Workshop | 1st European Workshop on Design and Semantics of Form and Movement (DeSForM 2005), November 11, 2005, Newcastle upon Tyne, UK |
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Abbreviated title | DeSForM 2005 |
Country/Territory | United Kingdom |
City | Newcastle upon Tyne |
Period | 11/11/05 → 11/11/05 |
Internet address |