• 114 Citations
19992019
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Personal profile

Quote

“By making creative use of the possibilities of semi-autonomous systems, can we reconsider and re-engage with how these systems influence our ways of working and inform how we design with, against or alongside them?”

Research profile

Kristina Andersen is assistant professor at the Future Everyday cluster of the Department of Industrial Design. Her work is concerned with how we can allow each other to imagine our possible technological futures through digital craftsmanship and collaborations with semi intelligent machines in the context of material practices of soft fiber-based things. How can we innovate, design and act around that which is yet to be imagined? Who gets to drive innovation processes? And how can we reframe our methodologies to include the complex cultural, political, and personal aspects of life? Can we approach this through making (and thinking) about technology, communities and materials as a way to construct visions of the unknown?

Andersen was based at STEIM for 14 years, she was part of the Making Things Public art research program at the Gerrit Rietveld Academie and lead the Instruments and Interfaces master’s degree program at the Royal Conservatoire in The Hague. She is a longstanding advisor of the Stimuleringsfonds Creatieve Industrie, and currently acts as expert reviewer for H2020, ICT and FET for both application and project reviews. Andersen co-chaired the CHI art 2018, CHI Design paper track 2019 and 2020, and DIS pictorials 2019.

Academic background

Kristina Andersen obtained her PhD from KTH Royal Institute of Technology in Stockholm, her MSc degree in Virtual Environments from University College London, and her Candidature (MA) from the Royal Danish Academy of Fine Art, Department of Industrial Design in Copenhagen. She has collaborated widely with national and international research institutes, cultural organizations and industry as researcher, engineer, lecturer and mentor. Andersen was initiator, principal researcher and work package leader on GiantSteps - a collaboration between music research institutions, manufacturers of software and hardware for music production and performance, R&D companies and music practitioners funded by the European Union. She has taught widely and ran the combined MA between STEIM and Sonology from 2011-17.  

Affiliated with

  • Gerrit Rietveld Academie
  • Institute of Sonology, Royal Conservatoire in The Hague
  • Stimuleringsfonds Creatieve Industrie

Partners in (semi-)industry

  • STEIM

Fingerprint Dive into the research topics where H.K.G. (Kristina) Andersen is active. These topic labels come from the works of this person. Together they form a unique fingerprint.

Computer music Engineering & Materials Science
Recommender systems Engineering & Materials Science
Acoustic waves Engineering & Materials Science
Information retrieval Engineering & Materials Science
Mockups Engineering & Materials Science
Human computer interaction Engineering & Materials Science
Interfaces (computer) Engineering & Materials Science
User interfaces Engineering & Materials Science

Network Recent external collaboration on country level. Dive into details by clicking on the dots.

Research Output 1999 2019

2 Citations (Scopus)

The instrument as the source of new in new music

Andersen, K. & Gibson, D., Jan 2017, In : Design Issues. 33, 3, p. 37-55

Research output: Contribution to journalArticleAcademicpeer-review

Open Access
File
6 Citations (Scopus)

The hands : the making of a digital musical instrument

Torre, G., Andersen, K. & Baldé, F., Jun 2016, In : Computer Music Journal. 40, 2, p. 22-34 13 p.

Research output: Contribution to journalArticleAcademicpeer-review

Musical Instruments
Music
Documentation
Performer
Interviewing

Making speculative technologies

Andersen, H. K. G., 2016, Intersecting Art and Technology in Practice: Techne/Technique/Technology. Baker, C. C. & Sicchio, K. (eds.). Taylor and Francis Ltd., p. 42-48 (Intersecting Art and Technology in Practice: Techne/Technique/Technology)

Research output: Chapter in Book/Report/Conference proceedingChapterAcademicpeer-review

know how
abuse
time
1 Citation (Scopus)

Instrumentality, time and perseverance

Torre, G. & Andersen, H. K. G., 1 Jan 2016, Musical Instruments in the 21st Century: Identities, Configurations, Practices. Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S. (eds.). Singapore: Springer, p. 127-136 10 p. (Musical Instruments in the 21st Century: Identities, Configurations, Practices)

Research output: Chapter in Book/Report/Conference proceedingChapterAcademicpeer-review

Instrumentality
Musical Instruments
Artist
Pioneers
Subjectification
43 Citations (Scopus)

Anti-solutionist strategies : seriously silly design fiction

Blythe, M., Andersen, H. K. G., Clarke, R. & Wright, P., 2016, Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems - CHI '16. New York: Association for Computing Machinery, Inc, p. 4968-4978 11 p.

Research output: Chapter in Book/Report/Conference proceedingConference contributionAcademicpeer-review

planning

Courses

Aesthetics of Interaction

1/09/16 → …

Course

Design < > Research

1/09/16 → …

Course

Digital Craftsmanship

1/09/17 → …

Course

Final Master Project (DQI)

1/09/16 → …

Course

Student theses

Life is just a little plastic now: from movement to exhibition

Author: Kolk, T., Jun 2018

Supervisor: Funk, M. (Supervisor 1) & Andersen, H. (Supervisor 2)

Student thesis: Bachelor